鯨之嶋

一齣寫給臺灣的身世寓言神話

不久的未來，海嘯吞沒了島嶼，倖存的女孩娜娜與玩偶咘咘在死寂的垃圾島上漂流，相依為命。路過的黑潮Kuro述說起古老的神話：這曾經是一座眾神眷顧，山谷平原錯落的豐饒島嶼，當時的黑潮Kuro與火山島贔屭相遇留情，贔屭領受神諭養育著天地靈氣所生的鯤與鯢，鯤與鯢一動一靜，如同鯨魚的半腦睡眠特性。直到遠方的鯨聲傳來召喚，鯤與鯢動念前往大海，深信神諭的贔屭決定放手一搏……
《鯨之嶋》以臺灣島的地理意象為劇本創作底蘊，融合科普知識的敘事策略，形塑出「屬於臺灣自有的山海經」寓言故事。拾念劇集、無獨有偶工作室劇團與編劇施如芳共同探索南北管與當代偶戲的無限可能，開創全新的說故事形式。

A mythic fable written for Taiwan’s own origins.

In the near future, a tsunami devours an island. The lone survivor, Nana, drifts across a deadly quiet garbage pile with her doll, Booboo. The passing spirit of the Kuroshio Current, tells them an ancient tale: once, this was a lush island blessed by the gods, its mountains and plains intertwined. Kuro met Bixi, the volcanic island deity, who received a divine oracle to raise Kun and Ni—twin beings born of the earth’s spiritual energy. Like whales whose two brain halves take turns resting, the sisters lived in perfect balance: one active, one still. But when a distant whale call stirred their longing for the sea, Bixi faced the shattering of her destiny and chose to let them go.
Inspired by Taiwan’s geological imagery, Whale Island blends myth with scientific imagination to craft a uniquely Taiwanese mythology. Over three years, artists from La Cie Maxmind and The Puppet & Its Double Theatre have explored new possibilities in Nanguan, Beiguan, and contemporary puppetry, forging a fresh approach to storytelling rooted in land and environment.

共同創作團隊｜拾念劇集、無獨有偶工作室劇團
導演｜李易修
南北管編腔、作曲｜許淑慧
劇作家｜施如芳
劇作協力｜魏于嘉
偶戲導演｜鄭嘉音
戲劇顧問｜張啟豐
演員｜朱安麗、劉毓真、大甜、崔台鎬、陳忻、馮文星、邱米溱、盧侑典、黃思瑋、楊柏煒
樂師｜許淑慧、廖梒瑜、劉忻龍、楊晴儀
製作人｜蔡菁芳
副導演暨動作設計｜小得
燈光設計｜高一華
舞台設計｜謝均安
戲偶設計｜余孟儒
服裝設計｜林玉媛
聲音設計｜吳修銘
宣傳統籌｜田珈伃
臺語指導｜鄭順聰
舞台監督｜黃國鋒
導演助理｜邱米溱
排練助理｜林雨璇
執行製作｜許沛青
宣傳影片攝製｜邱条影室
平面設計｜洋蔥設計
劇照拍攝｜Sapere aude Photography
本節目由國家兩廳院、臺中國家歌劇院、衛武營國家藝術文化中心委託製作